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Subtitling Translation Services in London and the UK

Professional subtitling translation services in London and the UK. ISO 17100 certified subtitle translation in 300+ languages, SRT/VTT/EBU-STL formats, 24h rush.

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What we do

Our services

What is a subtitling translation service?

A subtitling translation service transcribes the source-language audio of a video, translates each line into one or more target languages, time-codes the translated text to the video, and delivers subtitle files such as SRT, WebVTT, EBU-STL or burnt-in video for

Which subtitling translation services do we offer in London and the UK?

We offer 6 subtitling translation services in London and the UK: foreign-language subtitle translation, SDH closed captions, burnt-in (open) subtitles, broadcast EBU-STL subtitling, e-learning and corporate video subtitling, and YouTube and social-media subtitle

Which languages do we translate subtitles into?

We translate subtitles into more than 300 languages, including English, French, Spanish, German, Italian, Portuguese, Polish, Russian, Mandarin Chinese, Japanese, Korean, Arabic, Hebrew, Hindi, Urdu, Turkish, Dutch and Romanian, covering EU, CJK and RTL language

How does our subtitle translation process work step by step?

Our subtitle translation process works in 6 steps: source video intake, transcription and spotting, translation by a native linguist, time-coding to CPS and CPL limits, ISO 17100 reviser QA, and delivery in the client’s chosen subtitle file

Which subtitle file formats do we deliver?

We deliver 8 subtitle file formats: SRT, WebVTT (.vtt), EBU-STL (.stl), TTML/DFXP, SCC, SBV, ASS/SSA and burnt-in MP4, selected against the client’s distribution channel such as YouTube, Netflix, broadcast or corporate

How much does subtitling translation cost in the UK?

Subtitling translation in the UK costs **between £8 and £18 per video minute per language**, with a **typical minimum charge of £75**., rush turnaround at +30% to +50%, and a per-project quote issued within 1 working

What is a subtitling translation service?

What we do

What is a subtitling translation service?

A subtitling translation service transcribes the source-language audio of a video, translates each line into one or more target languages, time-codes the translated text to the video, and delivers subtitle files such as SRT, WebVTT, EBU-STL or burnt-in video for

How it works

A subtitling translation service transcribes the source-language audio of a video, translates each line into one or more target languages, time-codes the translated text to the video, and delivers subtitle files such as SRT, WebVTT, EBU-STL or burnt-in video for

What is a subtitling translation service?
Which subtitling translation services do we offer in London and the UK?

Why us

Which subtitling translation services do we offer in London and the UK?

We offer 6 subtitling translation services in London and the UK: foreign-language subtitle translation, SDH closed captions, burnt-in (open) subtitles, broadcast EBU-STL subtitling, e-learning and corporate video subtitling, and YouTube and social-media subtitle

What’s included

Which languages do we translate subtitles into?

We translate subtitles into more than 300 languages, including English, French, Spanish, German, Italian, Portuguese, Polish, Russian, Mandarin Chinese, Japanese, Korean, Arabic, Hebrew, Hindi, Urdu, Turkish, Dutch and Romanian, covering EU, CJK and RTL language

Which languages do we translate subtitles into?

Complete guide

Everything you need to know

Audiovisual translation sits as a specialist branch of professional language services, combining linguistic accuracy with the technical disciplines of time-coding, reading-speed engineering and broadcast file conformance. Our London-based ISO 17100 certified Professional Translation Services in London UK team delivers subtitle translation for UK broadcasters, corporate communications teams and international clients who need video content localised for multilingual audiences.

A subtitling translation service transcribes the source-language audio of a video, translates each line into one or more target languages, time-codes the translated text to the video, and delivers subtitle files such as SRT, WebVTT, EBU-STL or burnt-in video for broadcast. The discipline combines four engineering steps that distinguish it from text-only translation, and every step introduces constraints — reading speed, line length, shot alignment — that a general translator working outside an audiovisual workflow is not trained to resolve.

  • Source transcription — a verbatim dialogue list with speaker IDs and time stamps, forming the master reference for all downstream steps.
  • Spotting — in/out cues set at shot changes and natural pauses, ensuring subtitles appear and disappear in sync with the visual edit.
  • Translation under reading-speed constraints — text is condensed to 17 CPS for adult viewers and 13 CPS for children, with a hard cap of 42 characters per line across a maximum of two simultaneous lines.
  • File conformance — the finished translation is encoded and exported in the channel’s required format, whether SRT for web streaming, EBU-STL for broadcast playout, or a burnt-in MP4 for social autoplay feeds.

Subtitling translation is therefore a production discipline as much as a linguistic one: a project manager, a native-language translator, and an independent reviser each own a named stage of the file before it leaves our London team.

How does subtitle translation differ from transcription, captioning and dubbing?

Subtitle translation converts spoken source language into written target-language text on screen, whereas transcription writes audio in the same language without any language change, closed captions add speaker labels and non-speech sound cues for deaf and hard-of-hearing audiences in the same language, and dubbing replaces the audio track entirely with a new voice recording synchronised to lip movement. Each service serves a different audience need and regulatory requirement, which is why most broadcast and streaming deliverables specify the exact service type in their technical delivery specifications.

ServiceSourceOutputLanguage change
TranscriptionAudioWritten text, same languageNo
Closed captionsAudioOn-screen text + sound cuesNo
Subtitle translationAudioOn-screen translated textYes
DubbingAudioReplaced voice trackYes

Our Transcription Services feed the spotting list that the subtitle translation step relies on, meaning clients who need both transcription and translated subtitles can consolidate both deliverables in a single project brief.

What counts as audiovisual translation under ISO 17100?

Audiovisual translation under ISO 17100 covers subtitling, voice-over translation, SDH captions and dubbing scripts, all delivered through the standard’s mandatory translator-plus-reviser workflow with documented competence records for every linguist assigned to the project. The standard requires that the reviser is a second, independently qualified linguist — never the original translator — providing a four-eyes review that checks accuracy, terminology, timing adherence and target-language fluency against the source video. Our ISO 17100, ISO 9001 and ISO 18587 certifications apply to every subtitle project we handle, from a two-minute social video to a feature-length documentary. Voice-over Translation is the sibling deliverable for narration-led video when on-screen text is not the preferred format.

Which subtitling translation services are available in London and the UK?

We offer 6 subtitling translation services in London and across the UK: foreign-language subtitle translation, SDH closed captions, burnt-in (open) subtitles, broadcast EBU-STL subtitling, e-learning and corporate video subtitling, and YouTube and social-media subtitle localisation. Each service is delivered in more than 300 languages, conformed to the target platform’s technical specification, and signed off through our ISO 17100 translator-plus-reviser workflow before leaving our project team. Clients based outside the UK — including international broadcasters, global e-learning publishers and multinational marketing agencies — receive the same service chain and the same SLA commitments as our London-based accounts.

ServicePrimary deliverableTypical channel
Foreign-language subtitlesSRT / WebVTTWeb, corporate, streaming
SDH closed captionsSRT / SCCBroadcast, accessibility
Burnt-in (open) subtitlesMP4 with hard-coded textSocial, paid media
Broadcast EBU-STLEBU-STL (.stl)UK and EU broadcast
E-learning and corporateSRT, burnt-in MP4LMS, intranet
YouTube and socialSRT, native CC uploadYouTube, TikTok, LinkedIn

The industries we serve span legal, financial, medical, technical, e-learning, broadcast, marketing and government sectors — each carrying its own terminology demands, regulatory standards and delivery format requirements that our specialist linguists are briefed on before a project begins.

What corporate and business video subtitling is available?

We deliver subtitle translation for corporate explainers, investor updates, internal training videos and webinar recordings, time-coded to brand guidelines and exported as SRT or burnt-in MP4 for LMS and intranet use. Every subtitle file is aligned to the client’s approved glossary so that investor decks, all-hands recordings and HR compliance videos read in one consistent voice across English, French, Spanish, German and Mandarin — and across every other language the organisation operates in. Our Business Translation Services team manages glossary integration and style-guide compliance as standard, not as an add-on.

What technical and e-learning subtitling is available?

We cover technical product demonstrations, SCORM-compliant e-learning modules, engineering safety videos and medical device training content, applying domain glossaries to keep terminology consistent across modules and language pairs. Technical subtitle projects are assigned to linguists with documented subject-matter competence in the relevant field — IEC, ISO and MHRA terminology are handled by the same specialists who work on our broader technical translation portfolio. Our Technical Translation Services team ensures that engineering and life-sciences modules remain accurate frame-by-frame, with no terminology drift between the on-screen subtitle and the accompanying manual or interface.

What broadcast, film and marketing subtitling is available?

We provide broadcast-grade EBU-STL subtitling for UK channels, film festival subtitle packages, and marketing campaign localisation for paid social — all conformed to platform delivery specifications and reading-speed standards. Burnt-in subtitle versions for Instagram Reels, TikTok, LinkedIn and Facebook are sized and positioned to the aspect ratio of each platform, so the same underlying translation produces platform-ready files without a second round of editing. Our Marketing Translation Services team adapts on-screen copy, taglines and call-to-action text so that tone and cultural register are preserved alongside the literal meaning.

Which languages can subtitles be translated into?

We translate subtitles into more than 300 languages, including English, French, Spanish, German, Italian, Portuguese, Polish, Russian, Mandarin Chinese, Japanese, Korean, Arabic, Hebrew, Hindi, Urdu, Turkish, Dutch and Romanian, covering EU, CJK and RTL language families. Every language pair is handled by a native-resident linguist with documented audiovisual translation competence, so the cultural register, idiomatic phrasing and reading-speed compliance of the subtitle are validated by someone who reads the target language as a first-language speaker — not a second-language approximation.

What European subtitle language pairs are most requested?

The European subtitle pairs most requested by our UK-based clients are English to French, English to Spanish, English to German, English to Italian and English to Polish, driven primarily by UK exporters and broadcasters localising content for EU markets post-distribution. English to Dutch, English to Swedish and English to Portuguese are the next most common, reflecting strong demand from Benelux, Nordic and Iberian streaming platforms. Our French, Spanish and German translation teams deliver these pairs through the same ISO 17100 reviser chain used for our broadcast clients, meaning the quality assurance standard is identical whether the project is a two-minute corporate video or a six-part documentary series.

What Asian subtitle languages are supported?

Asian subtitle languages we support include Mandarin Chinese, Cantonese, Japanese, Korean, Thai, Vietnamese, Hindi, Bengali and Tagalog, each handled by native-resident linguists trained in the typographic and line-break conventions specific to their language. Japanese subtitle translation applies kinsoku shori line-break rules so that punctuation marks are never orphaned at the start of a new line — a requirement that generic translation tools routinely fail. Mandarin and Cantonese subtitle files are produced separately because character selection, tone mapping and idiomatic vocabulary differ meaningfully between the two written standards. CJK subtitle files are delivered in UTF-8 encoding with full glyph coverage verified before export.

How is right-to-left subtitle translation handled (Arabic, Hebrew, Urdu)?

We handle right-to-left subtitle translation by reversing line direction, adjusting punctuation alignment to match RTL conventions, and rendering RTL-compatible subtitle files in TTML/DFXP or burnt-in formats that preserve Arabic, Hebrew and Urdu script integrity at every frame. RTL subtitle files require three engineering checks that left-to-right files do not:

  1. Bidirectional Unicode control characters embedded at line breaks to prevent rendering engines from reversing numeral direction.
  2. Punctuation mirroring — Arabic comma (U+060C), full-stop placement and bracket orientation are all validated against the rendered preview, not just the raw text file.
  3. Font fallback verification — the output font is confirmed to contain the full diacritic and contextual-form range required by the target language, preventing missing-glyph boxes in playout.

Arabic, Hebrew and Urdu subtitle projects are among the most technically demanding we handle, and they are assigned to linguists who hold both native-language fluency and documented audiovisual subtitle training in the RTL environment.

How it works

How does the subtitle translation process work step by step?

1

How is the source video transcribed and spotted?

We transcribe the source audio into a time-stamped dialogue list — capturing speaker changes, overlapping speech and significant non-verbal audio — and then spot in and out cues at shot changes and natural pauses, producing a master subtitle template that is ready for translation. The spotting list is a formally documented broadcast deliverable in its own right: UK broadcast buyers and streaming platforms often require it alongside the finished subtitle file as part of their technical package. Our project managers review the spotting list before translation begins to flag any segments where the source audio quality or pacing will require particular condensation in the target language.

2

How do linguists translate while respecting CPS and CPL limits?

Linguists translate within 17 characters-per-second for adult content and 13 CPS for children’s content, capped at 42 characters per line across a maximum of two simultaneously displayed lines. Staying within these limits sometimes requires meaningful condensation of the source dialogue — a skill that is distinct from general translation competence and is one of the reasons we assign only trained audiovisual translators to subtitle projects. The full set of reading-speed parameters we apply is:

  • 17 CPS — adult general audience.
  • 13 CPS — children’s content and accessibility-priority productions.
  • 42 CPL — maximum characters per line in any language.
  • 2 lines — maximum on-screen simultaneously.
  • 1 second minimum / 7 seconds maximum — subtitle display duration range.

These thresholds reflect widely adopted broadcast and streaming reading-speed standards, and our translation tool flags any segment that exceeds them so the linguist can revise before the file progresses to the reviser stage.

3

How does the ISO 17100 reviser QA step protect quality?

An independent reviser — a second qualified linguist, never the original translator — checks the translated subtitles against the source video for accuracy, terminology consistency, timing adherence and on-screen readability, signing off the file before it advances to linguistic QC and delivery. The reviser reviews each subtitle block in the context of the video frame it occupies, not as isolated text, which means errors introduced by condensation — where a shortcut in phrasing inadvertently changes meaning — are caught at this stage rather than discovered by the client. Our ISO 17100 certification requires that the reviser’s competence and independence are documented for every project, and those records are retained as part of our project archive.

4

How is the final subtitle file delivered and conformed?

We deliver the final subtitle file in SRT, WebVTT, EBU-STL, TTML/DFXP, SCC, SBV, ASS/SSA or burnt-in MP4, conformed to the target platform’s frame rate, drop-frame setting and character encoding. Conformance covers 23.976, 24, 25 and 29.97 fps timelines and UTF-8 or ISO-8859 encoding depending on platform and language. For broadcast EBU-STL delivery, the file is additionally validated against UK and EU playout specifications before sign-off. Clients who require multiple output formats — for example, an SRT for their streaming platform plus a burnt-in MP4 for social distribution — receive both from the same translation and QC pass, avoiding duplicate translation costs.

Which subtitle file formats are available?

We deliver 8 subtitle file formats: SRT, WebVTT (.vtt), EBU-STL (.stl), TTML/DFXP, SCC, SBV, ASS/SSA and burnt-in MP4, selected against the client’s distribution channel such as YouTube, Netflix, broadcast or corporate LMS.

FormatExtensionPrimary channelStrength
SRT.srtYouTube, corporate, LMSUniversal player support
WebVTT.vttHTML5 web playersStyling, positioning, accessibility cues
EBU-STL.stlUK and EU broadcastEBU Tech 3264 broadcast spec
TTML / IMSC1.ttml /.xmlNetflix, Amazon Prime VideoStreamer timed-text package
SCC.sccUS broadcast CEA-608Legacy line-21 captions
SBV.sbvYouTube Studio legacyLightweight upload
ASS / SSA.ass /.ssaAnime, karaoke, styled videoAdvanced styling and positioning
Burnt-in MP4.mp4Social, paid mediaNo toggle required

When should you choose SRT versus WebVTT?

Choose SRT for broad video player and editing compatibility, and WebVTT for HTML5 web players, accessibility cues and styled positioning in browsers. SRT remains the safest interchange format for editing suites; WebVTT carries CSS-style cues that screen readers and modern browsers can interpret.

When is EBU-STL or TTML the right broadcast format?

EBU-STL is the right format for UK and European broadcast delivery, while TTML/IMSC1 is required by major streamers for timed-text packages. EBU-STL conforms to EBU Tech 3264, the broadcast subtitling data exchange specification used across UK channels.

When are burnt-in (open) subtitles the right choice?

Burnt-in subtitles are the right choice for social platforms with autoplay-muted feeds, fixed-style brand campaigns, and venues where viewers cannot toggle captions on the player. Three concrete scenarios trigger burnt-in delivery:

  • Instagram, TikTok and LinkedIn feeds where 85% of views occur muted.
  • Conference and exhibition screens with no player overlay.
  • Branded campaigns where typography is a design system asset.

Pricing

How much does subtitling translation cost in the UK?

Subtitling translation in the UK costs between £8 and £18 per video minute per target language for combined translation and time-coding, with a minimum charge of £75 per project. Rush turnaround — delivery in under 24 hours — carries a surcharge of 30 to 50 percent depending on length and language pair. A per-project quote is issued within one working hour of receiving your brief and source file, and the quote is fixed: there are no per-word overages once the project is underway.

Language tierExamplesPer-minute rateRush surcharge
EU Tier 1French, Spanish, German, Italian, Dutch, Polish£8–£11+30%
CJK TierMandarin, Cantonese, Japanese, Korean£12–£16+40%
RTL TierArabic, Hebrew, Urdu, Farsi£12–£15+40%
South Asian / SEAHindi, Bengali, Thai, Vietnamese, Tagalog£10–£14+35%
Rare / low-densityIcelandic, Burmese, Amharic£14–£18+50%

What pricing factors change the per-minute rate?

Per-minute rates vary with six factors: language tier, source audio quality (clean studio recording versus noisy field audio requiring additional transcription effort), whether source transcription is included in the scope, technical or specialised subject matter requiring domain-expert linguists, the subtitle file format required (broadcast EBU-STL and locked burnt-in delivery attract a conformance fee over standard SRT), and the delivery deadline. Clients who supply a clean, pre-cleared transcription alongside the source video may qualify for a reduced rate, as the transcription and spotting step is already complete. Multi-language projects — where the same source video is subtitled into five or more target languages simultaneously — are quoted at a volume rate, which typically reduces the per-minute cost by 10 to 15 percent across the additional languages.

What is the minimum charge and rush service surcharge?

Our minimum charge is £75 per project, which covers projects up to approximately eight minutes in a Tier 1 EU language. Projects below that threshold are billed at the minimum rather than the per-minute rate. Rush service for delivery under 24 hours carries a 30 to 50 percent surcharge — the exact percentage depends on the language pair and the total duration, because short-turnaround CJK and RTL projects require specialist linguists to be available outside standard scheduling windows, which attracts a higher premium than equivalent EU-language rush work.

What is the turnaround time for subtitle translation projects?

Turnaround time for subtitle translation is 24 hours for videos up to 10 minutes in a major European language, 48 to 72 hours for videos between 10 and 60 minutes, and 5 to 10 working days for broadcast-length or long-form content. These SLAs apply from the point of confirmed project brief and source file receipt — not from the point of quotation. Rush slots are available from our London office for sub-24-hour delivery on eligible projects, subject to a 30 to 50 percent surcharge depending on language pair and total duration.

Video lengthStandard turnaroundRush option
Up to 10 minutes24 hoursSame day (surcharge applies)
10–60 minutes48–72 hours24 hours (surcharge applies)
60+ minutes / broadcast5–10 working daysBy arrangement

Turnaround time is influenced by source audio quality, the number of target languages running in parallel, and whether the client requires broadcast EBU-STL conformance or additional burnt-in MP4 rendering on top of the subtitle file deliverable. A project involving five simultaneous target languages does not take five times as long as a single-language project, because translation into each language runs in parallel — but QC and conformance steps for each language file are completed sequentially to maintain review independence. Once a project is confirmed, clients can track its progress and see a live delivery estimate at the project level.

Why does ISO 17100 certification matter for subtitle translation?

ISO 17100 certification matters because it enforces a documented translator-plus-reviser workflow, verified linguist competence records, project management accountability, and formal corrective action procedures — the same controls that broadcasters, regulated industries and public-sector commissioners audit before approving a subtitle supplier. Without ISO 17100 certification, a subtitling provider has no externally verified obligation to use a second, independent linguist to review the translated file, which means errors in accuracy, timing or reading-speed compliance may not be caught before delivery. Our certification covers subtitle output as a defined deliverable type, and every project we handle — regardless of language, format or duration — is delivered through the certified workflow with no exceptions for shorter or lower-value jobs.

We hold three complementary certifications that together cover the full subtitle translation pipeline: ISO 17100 for the core translation and revision process, ISO 9001 for the quality management system that governs project intake, resource allocation and client communication, and ISO 18587 for the post-editing of machine translation output where MT-assisted workflows are used. Together, these three standards mean that whether a subtitle file is produced through fully human translation or through a supervised MT-plus-post-editing route, the same documented quality controls apply. Our Certified Translation Services London hub holds the parent certification covering all subtitle output.

Which standards beyond ISO 17100 apply to audiovisual work?

Standards beyond ISO 17100 that apply to audiovisual subtitle work include ISO 18587 for post-editing of machine translation, ISO 9001 for quality management, and broadcast specifications including EBU R 128 audio loudness levels and the Ofcom Code on Television Access Services for UK subtitling quality and quantity requirements. Each standard governs a discrete control point in the AV pipeline, and compliance with all of them is verifiable — not self-declared:

  • ISO 18587 — defines the full post-editing process for machine translation output, including the competence requirements for post-editors and the distinction between full and light post-editing.
  • ISO 9001 — governs the quality management system across all projects, covering supplier qualification, document control, client complaint handling and continual improvement cycles.
  • EBU R 128 — sets the audio loudness reference standard for broadcast deliverables, relevant when subtitle projects are packaged alongside audio QC for broadcast playout.
  • Ofcom Code on Television Access Services — specifies UK subtitling quality and quantity obligations for licensed broadcasters, which our EBU-STL deliverables are conformed to as standard.

Which industries use subtitling translation services in London?

Industries that hire our London subtitling service include financial services, legal firms, medical and pharmaceutical companies, technology and SaaS, education and e-learning, media and broadcast, marketing agencies, and government bodies requiring accessible multilingual video. Each sector arrives with sector-specific glossary requirements and confidentiality obligations.

How is legal and financial video subtitling supported?

We support legal and financial video subtitling with NDA-bound linguists, terminology glossaries built from solicitor and analyst review, and secure file handling aligned to ISO 27001 controls. Source assets sit on encrypted servers with role-based access control and are deleted 30 days after project sign-off.

How is medical and technical video subtitling supported?

We support medical and technical video subtitling with subject-matter expert translators in life sciences and engineering, ensuring MedDRA, MHRA and IEC terminology is preserved across language pairs. A locked termbase per client prevents drift across modules and updates.

How do subtitles, closed captions and SDH differ for accessibility?

Subtitles translate dialogue into a different language for hearing viewers, closed captions transcribe dialogue in the same language with speaker labels and can be toggled on or off by the viewer, and SDH — Subtitles for the Deaf and Hard-of-Hearing — add speaker identifications and non-speech sound descriptions, addressing distinct legal accessibility obligations that apply to UK and EU content distributors. Understanding which format a project requires is not merely a technical question: choosing the wrong type can mean a deliverable that fails a broadcast compliance check, falls short of an accessibility audit, or simply does not display correctly on the target platform.

TypeAudienceIncludes sound cuesTranslates languageDecision driver
SubtitlesHearing viewers, foreign languageNoYesPlatform reach, export markets
Closed captionsSame-language viewersPartialNoToggle flexibility, same-language accessibility
SDHDeaf and hard-of-hearingYes — speaker IDs, [music], [door slam]OptionalEquality Act 2010, European Accessibility Act 2025
Burnt-inMuted-feed viewersOptionalYesSocial autoplay, no toggle available

The burnt-in versus closed-caption decision tree follows three questions that determine which format is correct for a given distribution context: first, does the target platform support a viewer-controlled caption toggle — if yes, a closed caption file is preferred because it preserves editorial flexibility; second, does accessibility legislation require always-on display for the content type and channel — if yes, burnt-in or SDH is the appropriate format; third, does the client need to update the subtitle text in future without re-rendering the video — if yes, a closed caption file kept separate from the video asset is the only option that allows that workflow.

SDH files carry additional content requirements beyond standard subtitle translation: every speaker change is identified by name or role label, significant non-speech audio events are described in brackets, and music or tone information is included where it is relevant to comprehension. These requirements are defined by the Ofcom Code on Television Access Services for UK broadcast, and our SDH workflow applies the same descriptive conventions to non-broadcast content so that clients receive a single consistent SDH standard across all distribution channels. We deliver SDH in SRT, SCC, EBU-STL and TTML/DFXP formats depending on the platform.

How do you request a quote for subtitle translation?

Request a quote by uploading your video file or sharing a streaming link, specifying source and target languages, choosing the subtitle file format, and stating the deadline; we return a fixed quote and turnaround commitment within 1 working hour from our London office. Start with Request a Quote and include:

  1. Source video file (MP4, MOV, MXF, ProRes) or streaming link.
  2. Source language and one or more target languages.
  3. Preferred subtitle file format (SRT, WebVTT, EBU-STL, TTML, burnt-in MP4).
  4. Deadline and any platform delivery specification.
  5. NDA requirement and confidentiality scope.

The most common questions about subtitling translation services cover supported video formats, language coverage, YouTube subtitles, machine translation use, and confidentiality of source material.

Frequently asked questions

How much is subtitling in the UK?

Professional subtitling services in the UK typically cost between £3 and £10 per minute of finished video, depending on language pair, turnaround time, and complexity. Simple same-language subtitling sits at the lower end, while translated subtitles — especially for rare language pairs or technical content — command higher rates. Rush turnarounds, burnt-in subtitles, and broadcast-standard formatting (e.g., BBC or Netflix specs) can also push costs up. For certified or legally required subtitling, expect rates toward the upper end of the range.

How much does subtitling cost?

Subtitling costs vary widely but commonly range from £3 to £12 per minute of video for professional translation agencies in the UK. Factors affecting price include the source and target language, subject matter complexity, file format requirements, and whether the client needs translation alongside subtitling. Bulk orders and ongoing contracts often attract discounted rates. A 10-minute corporate video with English-to-Spanish subtitles, for example, might cost £50–£100 depending on the provider and specifications.

How much to charge for subtitling per minute?

Industry rates for subtitling in the UK range from £3 to £10 per finished minute for standard language pairs, with translated subtitling typically priced higher than same-language captioning. Freelance subtitlers may charge less — around £1.50–£4 per minute — while professional agencies include quality assurance, timing synchronisation, and format compliance in their rates. Technical, legal, or medical content, as well as less common language pairs, justifies rates at the top of the scale or beyond.

How long does it take to subtitle a 5 minute video?

Subtitling a 5-minute video professionally typically takes 2–5 hours of work when translation is involved, or 1–3 hours for same-language subtitling. Industry guidance suggests that one minute of video requires roughly 3–5 times the actual running time to transcribe, translate, time-code, and review properly. Add quality assurance and formatting to broadcast or platform standards (such as Netflix or YouTube specs) and the timeline extends further. Most professional agencies can deliver a 5-minute subtitled video within 24–48 hours for standard language pairs.

What is the difference between captioning and subtitling?

Captioning displays all audio content — including speaker labels, sound effects, and music cues — primarily for deaf and hard-of-hearing viewers in the same language as the audio. Subtitling, by contrast, focuses on translating spoken dialogue into a different language for viewers who can hear the audio but do not understand it. In the UK, same-language subtitles on broadcast TV are often called captions, and Ofcom requires broadcasters to caption a high percentage of their output. Translation agencies typically offer both services, with translated subtitles being the core deliverable.

Why don’t subtitles translate foreign languages?

Subtitles sometimes deliberately leave foreign-language dialogue untranslated to reflect a character’s intentional exclusion from a conversation or to convey authenticity. This is a creative and directorial choice, not a technical limitation — when filmmakers want audiences to feel as disoriented as a character, they omit the translation. However, professional subtitling agencies can and do translate all foreign-language speech when clients require full accessibility or comprehension. Streaming platforms and broadcasters often specify whether all dialogue, including embedded foreign languages, should be subtitled.

Are translators losing jobs to AI?

Machine translation and AI tools are reshaping the industry, but professional human translators — especially in specialist fields like legal, medical, and subtitling — remain in strong demand. AI can handle high-volume, lower-stakes content quickly, but it consistently struggles with nuance, cultural context, timing constraints in subtitles, and certified accuracy. Most professional agencies use AI-assisted tools to improve efficiency while human translators post-edit, quality-check, and take legal responsibility for the output. Demand for certified and specialist translation services in the UK continues to grow alongside, not despite, AI adoption.

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